The dominant form of Autumn 2007 is the 4-part vertical grid. When most successful, it leans gently into the wind, so as to keep on going. And it brings to mind the processional friezes from ancient Greece, complete with the split down the middle.
Understanding my work as movement in time has lead naturally to the collaboration with Viviana. The connection between her classical dance and my work is fundamental. Both derive from those classical proportions which in turn find their origin in the body.